Glyndebourne Opera Finals, Kensington Museums, and Fidelio

Glyndebourne Opera Finals

Among the six finalists, Edward Nelson from S. California won this year’s Glyndebourne Opera Cup. A baritone, he was a former student of the San Francisco Opera Merola Program and an Adler Fellow. It was particularly exciting for me to see the international reputation and success of our own local training programs. Along with the first prize, Edward will receive a principal role in a major European opera house.

One of my favorite finalists, American tenor Eric Ferring, won third prize. His Mozart choices were sung with beautifully articulated German and particularly moved me. I anticipate he will be performing some challenging German operas on the European stages in the near future. Another one of my favorite finalists was soprano Meigui Zhang from China. She was also a graduate of the Merola. Unfortunately, she did not place in the top three winners. I was pleased that my top three choices of the twenty contestants made it to the final rounds.

Overall, I was thrilled to attend both the Glyndebourne and Metopera finals for the first time. It provided insight on the training, technical skill, artistry, and determination required to become a professional opera singer. I now know some of the next generation’s exciting star performers.

Tutankhamun Exhibition at Saatchi Gallery, London

Located in Sloane Square, the Saatchi Gallery hosted a special exhibition of Tutankhamun making its way around the world. Tutankhamun was a boy who became king when he was around nine in ca. 1200 BC, and died when he was only 18.

The videos below explain the extensive methodology and preparation for the burial of Tutankhamun.

The treasures accompanying Tutankhamun’s mummy protected and assured his after life. The family tree traces his lineage from his father, Akhenaten, and grandfather Amenhotep. Both Tutankhamen and Akhenaten married their sisters, which may have contributed to multiple defects in the family. You can read about them here:

More exquisite artifacts show the high level of skill of artisans that produced wood, gold and stone carvings for the royal tomb. The layout of the tomb shows what Carter discovered in 1922. The pieces will be permanently installed in the museum in Egypt now under construction.

Natural History Museum, Kensington

A quick walk down the block from the hotel to the Natural History Museum confirmed my suspicion. The dinosaurs were the highlight, with the blue whale suspended in the Great Hall perfectly proportioned to its size.

Victoria and Albert Museum, Kensington

The V&A, just another block further, reminded me of the British propensity to collect. But of course, it is always done tastefully. The giant Chihuly Murano glass sculpture barely made a statement within the monumental scale of the domed entrance. On the other hand, the Shah’s carpet, was imposing as the largest Oriental carpet in the world (a Kashan). But in the end, my favorite was a period Chinese cheong sam from the 1920-34 era at the time my mother immigrated to America.

Fidelio at the Royal Opera House, Covent Garden

Beethoven’s only opera, Fidelio, was performed this year at the Royal Opera House to celebrate the composer’s 250th anniversary. The story is, like all operas, complicated and convoluted. Based on a true story during the French Revolution, it is a testament to marital loyalty (a long foregone concept). Fidelio’s wife, Leonore, attempts to save her husband from prison by posing as a prison guard. She gains the confidence of the prison official in order to free her husband. That’s it in a nutshell.

The new production by a German director was very choppy. In the first act, the historical setting is preserved, but the second act suddently jolts us into a modern day setting. The chorus, clad in black, serves as the audience in judging the scene. Fidelio, played by superstar Jonas Kaufmann, sings his chained lament before he is freed. Kaufmann performed for a total of only about ten minutes! The real star was Leonore, played by Lise Davidsen.

My apologies for the length of this post and the big cultural data dump. I couldn’t resist sharing these educational experiences. And yes, corona virus is everywhere and something to be concerned about. The news and alarm rolled into each country I visited like a slow but sure tidal wave–first in California as I was leaving, then New York, followed by the U.K at the end.

So, it looks like travel plans are on hold for awhile until further notice. I sincerely hope that this world-wide health problem will all come to pass quickly, teach us to be more vigilant and kind to each other, and that traveling with myself and others will again be as blissful and unencumbered as it has been over the past six years. Stay well and safe.

4 thoughts on “Glyndebourne Opera Finals, Kensington Museums, and Fidelio”

  1. Very exciting. Thanks for the post and pictures. Although not opera, I recently discovered Alice Sara Otte, a German Japanese Pianist on Utube. It opened a new door for me.


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