The hugest annual block party, known as the Neustadt United Republic, is happening this weekend in Dresden. I live in the midst of Neustadt’s six block radius, where three days of music, food, amusement, and dancing are rocking ’round the clock.
Families, old and young, sprinkle the age span of the predominantly young crowds. There are plenty of Goths and tattoed skins everywhere to offer endless studies of humankind. Cops discretely surrounded all street entryways and checked big bags, but you hardly noticed their presence once you passed the gauntlet from the edges.
Fortunately, my apartment is tucked behind a group of buildings in a cool, quiet courtyard that offers a quick and easy respite from the street action. I felt entirely safe and comfortable in “my hood.” The Neustadt “Buntes Republic” has been an amazing celebration of youth and a testament to good event planning.
Classicism and Romanticism in Dresden
A free access museum ticket, with compliments of the Goethe Institute, gave me incentive to revisit all the Old Masters Galleries and beautiful collections of regental splendor in the Residence and Zwinger Museums. I found two masterpieces that I remembered from my art history class at UC Berkeley! I almost gasped when I actually saw the Raphael and Vermeer works. They were totally overlooked by other visitors. Cranach also made his way onto my radar, especially after seeing dedicated works in Weimar.
The Turkish Kammer, or Chamber, contains some of my favorite museum pieces. The horses with armor and saddles, the swords, and the huge tapistried tent gives you a flavor of the power of the Ottoman Empire in its heyday.
The porcelain gallery would have been a chore had it not been for a few of the early Qing dynasty pieces from around 1700-1730 that paralleled Augustus the Strong’s reign as King of Poland and as Elector in Saxony. Meissen porcelain was developed after studying highly admired and coveted Chinese porcelain techniques. The figurines reminded me of the early Han pieces from Dunhuang and Chengdu. These galleries, made to emulate Versailles, were fun to rip through, in perfect condition and with no visitors!
After seeing the Michelangelo drawing exhibition at the Met in New York City, I was drawn to the Rembrandt drawing exhibit in Dresden. The fine sketches and studies by Rembrandt were not only awe-inspiring to me, but a number of famous painters such as Goya and Max Beckmann took to imitating Rembrandt’s style.
Dresden beats “Florence on the Arno”
The image often used in referring to Dresden is “Florence on the Elbe”, especially after Italian master Canaletto painted the famous river that snakes artistically through the town. After gliding over the river on gleaming tram rails numerous times this week, I have grown fond of the impressive Baroque skyline, the dominating Frauenkircke and the serene Elbe backdrop.
My memory of the Arno was that it was hectic. We stayed as a family in a pensione with a room directly exposed to the river with the roadway alongside it. The scooters beeped and honked all night long. After leaving the windows open to catch the breeze, the residual night noise drove us into a daytime stupor.
Dresden first hit my radar in an Art History class. Many of the Romantic era classical paintings were located in Dresden. The city stuck in my curiosity bucket until I matched intuition with knowledge.
In the sleepy daytime I had a chance to catch up with German friends for a “Grill Party” in their garden. Germans are intimately tied to nature and passionate about their gardens. It was a relaxing afternoon closing out a busy week of German classes, museum visits and evening musical performances.