Isfahan represents one of the great architectural cities of the world, and now I know why. The magnificent scale of site planning, building design and decoration are fully integrated. Many of the civic buildings surround what used to be a polo field and display the pride and beauty of Persia. (Yes, Persia and Iran is used interchangeably).
In the 16th Century, the Safavids defeated the Ottomans. During this triumphant period, Shah Abbas developed this square, which is the largest in the world. Islamic art and architecture flourished with distinctive elements. The public Mosque with twin towers dominates one end of the square. The architect’s signature is written on a tile discreetly placed to the side of the building. It avoids the front face and competing with the orientation towards Mecca. If only all architects were as humble!
After designing and building the Mosque, which is now a UNESCO World heritage site, the architect went away and returned after six months. He managed to convince the king that he was waiting to see whether the massive structure, with all its solid stone, brick and tilework, would cause settlement. (Yeah, right!!)
Everyone was relieved that it hadn’t, and the architect could still get his tea in Isfahan. Maybe the architect and structural engineer for the Millennium Tower in San Francisco were taking their sabbaticals before they got the bad news.
To the side is the private mosque, known as the Shah’s mosque. Daylighting illuminates verses on walls. As the sun rotates and casts light on various exposures, appropriate poetry is spotlighted naturally. The inside of the dome is also decorated with flecks of gold to cleverly simulate a spotlit tromp l’oeil effect.
This is only a glimpse of the many beautiful buildings with intricate floral tilework and awe-inspiring domes that are signatory to Isfahani architecture. The Shah’s Palace contained a music room with deep cutouts that made you feel as if you were inside a gigantic violin. And the Entertainment Center for the Shah displayed beautiful period paintings. While depiction of human figures was not allowed, these paintings represented non-Muslims such as Georgians or Indians. Some faces on the paintings were later marred or removed.
Persians enjoy strolling in the world-famous gardens built on the desert oasis and along the Zayandeh River. Sadly, the river is dammed to provide water to Yasd and farmers in the desert and as a result it runs dry. The Khaju Bridge that originally spanned the river is used as a leisurely stroll for Isfahanians. Local singers gather under the bridge to spar with other talented folk opera afficinados. Here’s a short video of one of the talented regulars:
While I normally focus on historic architecture and museum artwork, this trip has engaged me in taking more photos of people in the streets. I have not been shy about asking for posed photos of strangers, because they are universally handsome and graceful in their poses and demeanor. You can’t help but want to capture some of this spirit that delights visitors to Iran and endears you to the people.
This was my favorite city in Iran.
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The architecture was stunning, and the people so friendly! Families were really enjoying the gardens and the fair weather together, and loved posing for each other. They graciously acquiesced whenever I asked to take their photos. And it felt like a very cosmopolitan city proud of its culture and history. I also liked Shiraz, maybe because that’s where our guide was born and raised.
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Really impressed with the use of what looks like millions of pieces of colorful tiles and the intricate architecture. Neat that people break out in song while enjoying time outdoors.
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The mosaics are mind boggling, and the mirrored ones in Tehran were the most unusual ones I have seen on the Silk Road. The domes have always fascinated me and the wealth of them in Iran was mind-boggling. I felt privileged to join what was a “jam session” under the bridge with an all male audience and regulars. I found the music quite unusual and captivating!
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