Following our side trip to Washington DC, we are back in New York staying at The Beacon Hotel on the Upper West Side. It provides convenient and walking access to the next three days’ events at Lincoln Center’s Metropolitan Opera: Aida, Der Rosenkavalier, and Eugene Onegin. You might find that worse than doses of cod liver oil, but for me, it’s like dying and going to heaven. You’ll hear more of the gory details later.
We started off the day with the Fairway Supermarket across the street from the hotel. We loaded up with fresh Mediterranean fare (see photo above)–fresh fruits with yoghurt and granola, cucumbers and tomatoes, and veggies with protein. We are taking a break from restaurant food everyday by booking a hotel with kitchens in the rooms to cook and eat healthier.
A quick walk within a half-mile radius of the Beacon Hotel yielded a wealth of new finds. Many shops are individually owned, mixed in with community gardens. Sandwiched in between Central Park on the east and Riverside Park, the Upper West Side is stocked with plenty of greenery and O2 to replenish the body and soul. A couple of retirees in Riverside were racing their model sports car through our feet as we gingerly tiptoed through the racetrack and the tulips.
What more can you say? Food is everything in New York. You can find just about any type of cuisine or ethnic cooking, including crossovers like my favorite example of Uzbeki-Korean food. Not to beat that over a dead horse, but that level of complexity ain’t in foodie-snobbie San Francisco.
The evening performances at Lincoln Center are dazzled by sparkling chandeliers inside the operahouse that modestly excuse themselves from blocking anyone’s view as the concertmaster plays A on the violin, the lights dim, and they retire to the very top of the ceiling.
All seats are good. The ones I selected for the series of three this time were side-saddles with box seating at the dress circle level. The $25 tickets I purchased at the very top row of the balcony in the past aren’t a slouch either. You have the option of ditching the performance if you don’t like it or incentive to get creative with a wild one.
What follows is our raisin d’etre for coming to NYC this time. The string of operas with curtain calls, synopses and my subjective opinion of the performance (all in: singers, staging, music, etc) for those interested:
My Rating this performance: ***
Der Rosenkavalier (Renee Fleming’s swan song/final performance and curtain call as an opera diva, along with Elina Garanca)
My Rating this performance: **
Eugene Onegin (with Anna Netrebko in Tchaikovsky’s masterpiece)
My Rating this performance: *****
Let me know if you have ever lived on the Upper West Side or on the Lower East! What was your experience? We had been pretty stuck on Midtown or Upper East Side in the past but found that trying out these new neighborhoods gives us a very different dimension to New York City. We’re encouraged to try a different neighborhood each time we come to this magnificent, multi-cultural city. I hope you will consider doing the same!
As a final tribute to our being in New York, we toasted our anniversary and a birthday with a dear friend whom we met in Hong Kong and who is a New York City native. At a rehearsal of the American Ballet Theater’s upcoming Don Quixote, we caught a glimpse of Misty Copeland! What more could you ask for in a sendoff from New York City??
We’re on to London, so be prepared for a British accent to the next post! (Fewer operas, Queen’s Gate, then on to Bath and Blenheim)….